Saturday, October 20, 2012

A Cello Family

For this week, I wanted to just post a little excerpt from my Family Systems project where I compared my family to a cello:

Wood, ivory, metal, and horse hair; these are the basic substances that make up a cello and its bow. And while my family isn’t made from wood, ivory, metal, and horse hair, the way it functions is comparable to a cello. I have a dad (pegs), mom (fine tuners), four brothers (strings), and two sisters (the neck and the bow). My dad is very much like the pegs on the instrument which, with some turning, can make the strings almost perfectly in tune. Much like when the stings slip and become out of tune, he has a strong effect on how my brothers come out and pulls them back into place doing what they are supposed to do when they aren’t doing what’s right. Along with pegs, there are fine tuners which help tweak the string just a little bit, but make a huge difference in the ending result of how they sound. My mom is like the fine tuners in the family, because although what she does may seem small, it is that little amount that can make a huge difference and perfect my brothers.

Now as far as the strings go, I see my oldest brother, Mitchell, as the C string. The C string is the lowest one and can sometimes come off a little rough, much like my brother. It is also the deepest sounding which is comparable to how deep and wise my older brother can be in the advice he gives. But this string is also the hardest to keep under your fingers because of its thickness, so you have to work really hard to get the right sound out. This feature is a lot like Mitchell’s stubbornness and thick-mindedness. You really have to push him to get what you want. My next brother, Justin, is like the G string. The G string is the second lowest and is not as deep and rough sounding as the C string but gets the closest to it. This is comparable to how Justin is the closest brother to Mitchell but doesn’t come across as deep or rough. D is the next string, and the brother who fits that role is none other than Drew! The D string is the most commonly used one, and being one of the middle strings sounds good with either the high string or the low ones. This is very much like my brother, Drew, because he is the middle child and is very versatile in the sense that he can get along well with either the older brothers (Mitch and Justin) or the younger one (Hunter). The last and youngest brother is Hunter, and he is quite similar to the A string. The A string is the highest and can bring some of the sweetest and most pleasing sounds when played right, and is easy to press down on and get the sound you want out of because it is the thinnest. Hunter is also the sweetest brother I have. He is so kind it melts your heart and although he doesn’t always go well with Mitchell (the lowest string), they still have their moments of beauty. Some things all the strings have in common are 1) they are all made of the same material, 2) they all have harmonics, and 3) they all need to be tuned at some point. These qualities are similar to my brothers because 1) they have all been raised the same and came from the same two people, 2) they can all be harmonious although it can be hard to get out of them sometimes, and 3) they all have times where they need to be fixed up by my parents so they act and sound like they are supposed to.

Next are my two sisters. The older of the two is Brooke and I see her as being the neck and fingerboard. The neck connects the scroll, peg box, and pegs to the body of the instrument; the fingerboard is where the cellist presses his/her fingers down on the strings to get the notes out that they want. Brooke is like the neck because she is sensitive and likes to be close to my dad (the pegs), and like the fingerboard because she does not really connect with my brothers (the strings) without some outside force (the fingers of the cellist). My youngest sister - and the baby of the family - is McKenzie, and she is comparable to the cello bow. The bow can be played on the strings in any way (with the hair, on the stick, slanted, straight, short, long, smooth, staccato, etc.) and no matter what get some sound out of them. Since McKenzie is the baby, she can get almost anything she wants out of my brothers by playing them in some way. She has a lot of control that everybody who knows or watches my family can see.

Lastly, there is the part I play. I consider myself to be the bridge and the sound post. The bridge and sound post are said to be at the heart of the cellos set up and link parts together. They also have a profound influence on the instruments tone and response. I feel like I link my siblings together and have a good connection with my parents and the family as a whole. I have a decent size influence on how my family acts, much like the bridge influencing how the cello sounds.

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